Madonna and child with the book

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madonna and child with the book

Madonna and Child with the Book - by Raphael

Christ is depicted as naked and helpless — although with a curiously precocious and strong-willed look in his eyes as he gazes up into the face of his mother, the Madonna. Mary herself, draped in a rich black cloak, appears calm and tranquil as she surveys her young child, while supporting him carefully with her arm. With her other hand she holds a book with a Latin inscription on the page, as the Christ-child's much smaller hand reaches forward to grasp this offering. The inscription on the page refers to the Nones, or ninth-hour of the Divine Office of the traditional Christian liturgy, which commemorates the crucifixion and death of Jesus Christ, and his ascension to heaven. With its simple, pyramidal composition and lush though not overpowering colours, the painting is typical of Raphael's portraits such as his Portrait of Pope Julius II, Portrait of Bindo Altoviti, and Portrait of Elisabetta Gonzaga - and more broadly of the painting style of the High Renaissance itself. The grand religious theme, exaggerated, stylised pose, and idealised surroundings mark the painting as a fine example of proto-Mannerism — with Raphael himself being a key figure in the later popularising of what would come to be referred to by historians as Mannerism.
File Name: madonna and child with the book.zip
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Published 07.01.2019

Madonna and Child Through the Ages Art204

The Madonna and Child is a painting finished c.

Madonna and Child with the Book

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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. From Wikimedia Commons, the free media repository. File information. Structured data. Captions English Add a one-line explanation of what this file represents. English: 39 x 28 cm.

October 13, Raphael for example his art work shows his ability to adapt to new styles and use his own personal style to create these amazing paintings. Overall experience has given me a new found appreciation for art. The Man behind the Painting of the Madonna's For those who don't know Raffaello Sanzio, many know him by Raphael.

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1 COMMENTS

  1. Bosivhealthge says:

    The deep, blue arch of the Madonna's silhouette encloses the figure of the Child and frames the book, which is further emphasized by the touching hands that.

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