Who shot rock and roll book
Who Shot Rock and Roll by Gail Buckland: | howtogetridof-dandruff.com: BooksLook Inside. Oct 20, ISBN The only music photographers whose names are well known are those who themselves have become celebrities. But many of the images that have shaped our consciousness and desire were made by photographers whose names are unfamiliar. Here are Elvis in —not yet mythic but beautiful, tender, vulnerable, sexy, photographed by Alfred Wertheimer. Jimi Hendrix, by Gered Mankowitz, a photograph that became a poster and was hung on the walls of millions of bedrooms and college dorms. For the first time, the work of these talented men and women is brought into the pantheon; we see the musicians they photographed and how the images gave rock and roll its visual identity.
Who Shot Rock and Roll
This is the the first book to explore the photographs and the photographers who captured rock's message of freedom and personal reinvention and to examine the effect of their pictures on the musicians, the fans, and the culture itself. The only music photographers whose names are well known are those who themselves have become celebrities. But many of the images that have shaped our consciousness and desire were made by photographers whose names are unfamiliar. For the first time, the work of these talented men and women is brought into the pantheon; we see the musicians they photographed and how the images gave rock and roll its visual identity. To bring together these images, Gail Buckland, acclaimed photographic editor looked through the archives of one hundred photographers, selecting pictures not on the basis of the usual suspects, but on the power of the images themselves, Buckland writes about the photographers, their influences, their relationships with their subjects, how they took the images, how they saw what they saw and captured what they captured: the spirit and essence of rock. Artists All artists New arrivals Music genres Music eras. All photographers Featured photographers Graphic artists.
The exhibit was organized by guest curator Gail Buckland at the Brooklyn Museum in The exhibit was a collaboration between Gail Buckland and the Brooklyn Museum, which began after the museum learned that Buckland was writing a book focusing on the photographers behind iconic rock-and-roll photographs.
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I bought mine copy of this excellent book last year at the famous music photography gallery Morrison Hotel Gallery when I was visiting New York, but got back to it again just last week, as some flu tied me to my bed. I know, crazy, but with the frantic life rhythm these days, I can't seem to get all of the things I want just in time. But, better late than never, right? From the debut album of Elvis Prestley in , hommage to that record via design in eponymous "London Calling" from The Clash image on the cover of that album taken by Pennie Smith vas voted as best rock'n'roll photo of all time in the British rock magazine Q, , portraits of Frank Zappa , The Rolling Stones , The Beatles , to the Kurt Cobain backstage in tears and Sex Pistols being, well, Sex Pistols, this book has it all. Excellent addition to well chosen photographs some famous, some not, some previously unpublished are the texts accompanying the photos in which we learn much more about the persons in the photo, the photographers who took them, and the whole creative process of music photography, be it classical portraits, live action shots or intimate moments in lives of the music stars. Of course, things have been much different before, as we can find out in the book, where most of the times, photographers and bands were friends, with sometimes unlimited access to their models. As the author Gail Buckland writes, the time has come for this photographs and photographers get their well deserved place in the cultural history and the history of photography, stating that "like musicians they photographed, they, too, changed the world and how we see and experience it".
Bob Dylan walking down snowy Jones Street arm in arm with Suze Rotolo; John, Paul, George and Pete and Stu perched on a rusty steel wagon in Hamburg; Janis Joplin going at full tilt — these images are as familiar to many of us as the face in the mirror. Buckland examined the archives of a hundred photographers to choose the work in this book, which also functions as a catalog of a show by the same name now at the Brooklyn Museum of Art, running through Jan. Although there are more or less contemporary shots of Amy Winehouse and M. Leafing through the book or walking around the exhibition is delightful. Withers, of Ike Turner keeping a close eye on Tina during a performance at a Memphis club in The arrangement of pictures seems more or less random. The book starts off with an essay, and each image comes with a biography of the photographer and occasionally a discussion of when and how the picture was made.
Here, in more than spectacular images, are great action photographs; portraits of athletes, famous and unknown; the fans who adore them; athletes off the field and behind the scenes; the daily relentless effort of training and achieving physical perfection. Buckland writes that sports photographers have always been central to the technical advancement of photography, that they have designed or demanded longer lenses, faster shutters, motor drives, underwater casings, remote controls, allowing us to see what we could never see before - and hold on to--with the naked eye. Sports are beauty in motion with a powerful competitive edge. The best sports photographers are also artists, carefully crafting their pictures. Yet, their contribution to cultural, art and photographic history is rarely noted.