Pete seeger and the power of song book summary
Pete Seeger: The Power of Song - Movies - Review - The New York TimesNot that Mr. Seeger is one to sit around and bask in approbation. Seeger does not perform as much as he used to, and his reedy tenor has lost some of its force, but he still chops wood outside his home in the Hudson Valley, protests against war and plays the banjo about as well as anyone ever has. Springsteen or Mr. But Mr. He is, for one thing, more complicated than he might seem at first, much in the way that the folk music he adores reveals hidden nuances beneath apparently simple stories and tunes.
Pete Seeger on " The Power of Music"
What sounds the times? Is it the bellowing of politicians? The roar of the crowd? The ebb and flow of everyday conversation? In three masterful novels, he sounded the times of the first thirty years of the twentieth century, evoking its angular, often frenetic tempo through words on the page. As for the rest of the tumultuous century, Pete Seeger sounded the times with his music and lyrics perhaps better than anyone.
Items borrowed from other libraries through Interlibrary Loan are dependent on the policies of the lending library. Pete Seeger became one of the nation's most influential activists and folk singers as the folk music revival, often revolving around protest movements, unfolded in the s. This text uses Pete Seeger's life and music as a frame of reference to discuss the important role popular music playedduring the various protest movements in the 20th century. Seeger's life reflected the turbulence of his times and his songs sounded the spirit of the issues that he felt mattered most. At only pages, this book provides instructors with a useable resource to discuss theconnection between popular music and political culture.
By Allan M. New York: Oxford University Press, ISBN Exonerated in after the U. For instance, he discusses a well-known episode of generational misunderstanding. Access options available:.
From a gangly year-old to a still-skinny nonagenarian, Pete Seeger has always been a phenomenon. For example, the book describes his important musical influences, especially Leadbelly and Woody Guthrie, both of whom are introduced to the reader and to Seeger, by folklorist Alan Lomax early in the book. They include everything from the singer at a union hall and at a school auditorium to Seeger sitting next to Henry Wallace and shaking hands with Bill Clinton. It is also enlightening in describing his creative process—how he synthesizes different strands of folk and other material into a new whole. Another strength is in the description of his almost magical ability to draw an audience in: to sing, clap in rhythm, and improvise harmonies. This aspect of his performance style is central to his view of the role of song.